Series
10 Lessons I’ve Learned from Bach (part 1)
10 Lessons I’ve Learned from Bach (part 2)
10 Lessons I’ve Learned from Bach (part 3)
10 Lessons I’ve Learned from Bach (part 4)
10 Lessons I’ve Learned from Bach (part 5)
10 Lessons I’ve Learned from Bach (part 6)
10 Lessons I’ve Learned from Bach (part 7)
10 Lessons I’ve Learned from Bach (part 8)
10 Lessons I’ve Learned from Bach (part 9)
10 Lessons I’ve Learned from Bach (part 10)
7 Attributes of a Complete Contemporary Musician (part 1)
7 Attributes of a Complete Contemporary Musician (part 2)
7 Attributes of a Complete Contemporary Musician (part 3)
7 Attributes of a Complete Contemporary Musician (part 4)
7 Attributes of a Complete Contemporary Musician (part 5)
7 Attributes of a Complete Contemporary Musician (part 6)
7 Attributes of a Complete Contemporary Musician (part 7)
Emotionalism In Worship (part 1)
Emotionalism In Worship (part 2)
Music
Antiphony (for Cello and Piano)
Angels We Have Heard On High (Hip-hop)
Angels We Have Heard On High (Mariachi)
Changing Seasons (for SATB choir and String Quartet)
Christmas Fantasy Overture (for Full Orchestra)
God Rest Ye Merry Gentlemen (Dubstep)
In the Bleak Midwinter (SATB Choir and folk harp)
O Holy Night (for SATB Choir, Piano and Orchestra)
Tis So Sweet to Trust In Jesus
What Child Is This/ Do You See What I See
What Child Is This (Electronica)
Why Does All the Music Sound the Same?
You Are My God (I’m jumping off)
Short Articles
Current and Future Worship Trends- The Community
Current and Future Worship Trends- The Motivation
Current and Future Worship Trends- The Technique
Destroying the Malachi Mindset
Did You Know That There’s a Symphony in the Bible?
The Songs of Christmas in America
The Three Uses of Music and the Arts
What Do Frequency and Spirit Have In Common?
What Is Classical Music, Anyway?