Integrated Frequency 1 - Rhythm, Bass

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Rhythm/Bass 

This was an experiment in two different overtone scale/rhythms: R5/R10 against R30/R60.  The familiar rock style is challenged by the convergence of the two tempos and scales, creating polytonal and polytempo moments.

Only two compositional components were used to create this piece: a bass pattern and a rhythm pattern.

(For more information, please see my article, Integrated Frequency)

Integrated Frequency 1 - Rhythm

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Rhythm

Beginning with the lowest fundamentals, here is an experiment in polyrhythms.  Using the root frequencies of R5, R10, R20, R40, R80, and R120 at 75BPM as one rhythmic block, R30 at 112.5BPM and 225BPM as another rhythmic block, and R35 and R70 at 131.25BPM and 525BPM as the last rhythmic block, many polyrhythms are created.  At one point there is a ratio of 12:28:11.

The pitches were created by making a short note on each fundamental using the additive Max synth that I made, so the tempos and pitches of each rhythmic block are in the same family.  There are three main rhythmic families against each other in polyrhythms.  All of these families are related to each other, as branches of the same tree, the foundation being 18.75BPM (or .3125Hz).

(For more information, please see my article: Integrated Frequency)

What Child

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A very unique version of "What Child Is This", orchestrated from an electronica track I made earlier this year.  Hope you enjoy!

(UTPB Orchestra, directed by Thomas Hohstadt, at the Wagner-Noel Performing Arts Center during the UTPB 2012 Christmas Concert.)

What Child Is This (Electronica)

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Here's  dance mix I just created for this year's Christmas services using the familiar carol, "What Child Is This" in a unique way.

Hope you enjoy!